After a personal rupture, painting became my primary mode of thought — a poetic state through which I process and translate experience.

I am a self-taught artist exploring the tensions between beauty and rage within the contemporary female experience through hybrid processes, at the intersection of oil painting and digital sculpture.

My work unfolds as a series of intimate narratives: female figures and fragmented bodies inhabit constructed worlds where sensuality, danger, and tenderness coexist. Vibrant colors and a dark romanticism meet influences drawn from dystopian fiction and mythology.

A central thread in my practice is the idea of liberation as a gradual unlearning of roles embedded in bodies, gestures, and images. My work explores the tensions between control and surrender, construction and dissolution.

The recurring figures in my work are female bodies. They do not illustrate identity; they test its limits. The works propose situations where intimacy is not softness, but strength — a quiet, persistent form of resistance.